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Instrumentalists:
Hendrik Broekman, organ and harpsichord
Mai-Lan Broekman, gamba, violone and vielle
Janna Fröhlich, harp
Nancy Hurrell, harp
Catherine Liddell, theorbo
Jay Rosenberg, lute, oud and percussion
Josh Schreiber Shalem, vielle

Singers:
Gail Abbey, soprano
Roberta Anderson, soprano
Laura Betinis, mezzo soprano
Anthony Garza, bass
Aliana de la Guardia, soprano
Elijah Hopkin, tenor
Teri Kowiak, mezzo soprano
James Liu, bass
Elizabeth Mitchell, mezzo soprano
Mark Morgan, bass
Sarah Moyer, soprano
Alexander Nishibun, tenor
Susan Byers Paxson, mezzo soprano
Adriana Repetto, soprano
Peter Schilling, tenor
Kimberly Sizer, soprano
Jennifer Webb, soprano


 

Teri Kowiak, mezzo-soprano

A graduate of the Longy School of Music's Early Music Program, Teri Kowiak specializes in the historically-inspired performance of medieval, renaissance and baroque music while also performing a wide range of styles including classical, jazz, traditional Irish/Celtic, and premiering new compositions. Recent stage credits include “Anima” in Hildegard’s Ordo Virtutem, “La Inmortalidad” in Salir el Amor del Mundo, and “La Poesie” in Les Arts Florrisants. She is a featured vocalist on the premier solo album “Redline” by bagpiper Michael McNutt (of Cu Dubh) and has performed with Cappella Clausura, the Seraphim Singers, Ensemble 44, the Lorelei Ensemble, El Fuego Spanish Ensemble, the Harvard Early Music Society and the choir of the Church of Our Saviour in Brookline, MA. She is the founder and director of Meravelha Medieval Ensemble.