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ARCHIVE OF PAST SEASONS
BOSTON's PROFESSIONAL CHORAL ENSEMBLE PERFORMING MUSIC OF WOMEN COMPOSERS FROM THE 9th CENTURY TO THE PRESENT DAY
BOSTON's PROFESSIONAL CHORAL ENSEMBLE PERFORMING MUSIC OF WOMEN COMPOSERS FROM THE 9th CENTURY TO THE PRESENT DAY
BOSTON's PROFESSIONAL CHORAL ENSEMBLE PERFORMING MUSIC OF WOMEN COMPOSERS FROM THE 9th CENTURY TO THE PRESENT DAY
BOSTON's PROFESSIONAL CHORAL ENSEMBLE PERFORMING MUSIC OF WOMEN COMPOSERS FROM THE 9th CENTURY TO THE PRESENT DAY
BOSTON's PROFESSIONAL CHORAL ENSEMBLE PERFORMING MUSIC OF WOMEN COMPOSERS FROM THE 9th CENTURY TO THE PRESENT DAY
Photo: Sam Brewer
Clausura Records
"...pain and sorrow and love in full measure..."
LUMINARIA MAGNA on Navona Records
Cappella Clausura | Amelia LeClair director
Heinrich Christensen organ
Tann’s profoundly lyrical sacred works shine in LUMINARIA MAGNA, a striking and inspiring collection of songs for Cappella Clausura's voices, and organ works performed by Heinrich Christiansen. Tann’s Welsh heritage and homeland is palpable in these musical devotions, transporting listeners to the foggy moorlands of South Wales. Includes Tann's own Welsh "national anthem".
BIRDS OF THE PSALMS
Choral Music of Patricia Van Ness
Cappella Clausura | Amelia LeClair director
“German philosopher Immanuel Kant defined the Sublime as “beauty accompanied by awe” – a thought which perfectly encapsulates the spirit of Cappella Clausura’s second Navona release, BIRDS OF THE PSALMS. Masterfully and evocatively conducted by Amelia LeClair, the ensemble effortlessly interprets a magnificent choral repertoire spanning six centuries.
EXULTET TERRA
Choral Music of Hilary Tann
Cappella Clausura | Amelia LeClair director
with double reed quintet and double chorus
The sublime music of Hilary Tann rejoicing in the earth, together with the chant by Hildegard von Bingen that inspired it.
“…gorgeous lyricism…dance-like rhythmic energy…deeply moving…real purity of sound" - Cinemusical
Recordings on CDBaby, Bandcamp, and iTunes
Love Songs of a Renaissance Teenager
18 sensuous and delightful Madrigals
by a 14 year-old Renaissance girl
from Ferrara, Italy.
Vespers of Cozzolani Italian Style
The grand Vespers of 1650, composed
by the Benedictine nun, Chiara
Cozzolani, of Milan, performed Italian style, with instrumental intermezzi.
Passionately UnConventional
Music by Hildegard von Bingen,
Lucretia Vizzana, Victoria Aleotti, and
Patricia Van Ness.
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